![]() ![]() ![]() The stylistic elements of this masterpiece are so distinctive that the artistic attribution has been advanced by scholars it is believed the artist could have been a follower of the circle of Willem Vrelant, one of the most influential Flemish illuminators of the period. The margins are also decorated with blue borders, gold acanthus leaves, and other drolleries. In fact, the color palette is very limited in its depictions: colored in blue, old rose, green, gray, and white, with a few touches of gold. Not only are the pages painted black, but the miniatures themselves also use the same dark tones. ![]() Made in Bruges (Flanders) between 14, this illuminated manuscript was probably realized for a sophisticated patron of the Burgundian Court. This unusual page color is due to the extremely corrosive process used to dye the vellum with iron gall ink. An Obscure Illuminated Manuscript : The Black Hours Black Hours Manuscript, created in Bruges, 1475-1480 CE, via the Morgan Library and MuseumĪmong the most curious of all illuminated manuscripts, the Black Hours strikes our contemporary eyes with its unique dark blueish shades. The attraction is open every day except for Mondays and some major holidays, with general admission tickets priced at €5 ($7.22).Ĭuriously, the square owes its name not to the South American country but to the Latin name of Strasbourg, France, which was the home seat of a 15th-century German cardinal who lived nearby and who served as master of ceremonies for pontiffs, including Alexander VI, the Borgia pope.6. For those who can’t handle the stairs down from the sidewalk, an elevator platform is available. The Sacred Area’s wooden walkways are wheelchair- and baby-stroller-friendly. A relief to tourists who step gingerly over the uneven ancient paving stones of the Roman Forum. On Monday, one black-and-white cat sprawled lazily on its back atop the stone stump of what was once a glorious column.īulgari helped pay for the construction of the walkways and nighttime illumination. Felines lounged undisturbed, and cat lovers were allowed to feed them. Over the past decades, a cat colony flourished among the ruins. Another is a stone fragment of a winged angel of victory. Among them is a colossal stone head of one of the deities honoured in the temples, chinless and without its lower lip. On display are some of the artifacts found during last century’s excavation. On display in a corridor near the temples is a black-and-white photograph showing Mussolini cutting the ribbon in 1929 after the excavated ruins were shown off.Īlso visible are the travertine paving stones that Emperor Domitian had laid down after a fire in 80 AD ravaged a large swath of Rome, including the Sacred Area. Parisi Presicce said after the Mayor of Rome Roberto Gualtieri cut a ceremonial ribbon Monday afternoon. Taken together, the temples make for “one of the best-preserved remains of the Roman Republic,” Mr. One of the temples, reached by an imposing staircase and featuring a circular form and with six surviving columns, is believed to have been erected in honour of Fortuna, a goddess of chance associated with fertility. The temples are designated A, B, C and D, and are believed to have been dedicated to female deities. A tower at one edge of Largo Argentina once topped a medieval palace. ![]() The temples emerged during the demolition of medieval-era buildings in the late 1920s, part of dictator Benito Mussolini’s campaign to remake the urban landscape. What leads archeologists to pinpoint the ruins as Pompey’s Curia? “We know it with certainty because latrines were found on the sides” of Pompey’s Curia, and ancient texts mentioned the latrines, said Claudio Parisi Presicce, an archeologist and Rome’s top official for cultural heritage. That’s because, over the centuries, the city had been built up, layer by layer, to levels several metres above the area where Caesar masterminded his political strategies and was later fatally stabbed in 44 BC.īehind two of the temples is a foundation and part of a wall that archeologists believe were part of Pompey’s Curia, a large rectangular-shaped hall that temporarily hosted the Roman Senate when Caesar was murdered. For decades, the curious had to gaze down from the bustling sidewalks rimming Largo Argentina (Argentina Square) to admire the temples below. ![]()
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